ABOUT CLOWN CONSERVATORY
Clown Conservatory is a multidisciplinary training program in physical comedy, precision idiocy and eccentric acting. This 24-week training program is a tilt-a-whirl of character creation and narrative clowning where the conjuring of solo, duo and ensemble work culminates in showcases for Ring, Stage and Film. Our program’s directive is to foster the super-versatile Human Cartoon.
Sara Moore | DEPARTMENT DIRECTOR
Sara Moore is an award winning, critically acclaimed American clown. Known colloquially as “the Poet Clown of San Francisco,” she brings to the leadership of Clown Conservatory over three decades of experience as a performer, director, educator and deviser. Her substantial body of creative work covers the full spectrum of clowning and spans multiple media, from the big top to film and stage, including Ringling Bros., The Krofft Puppets, New Pickle Circus, Make*A*Circus, cruise lines, multiple New York theatres, regional theatre, guerilla busking and as the comic foil in huge shows for Merv Griffin, who dubbed her “The New Fanny Brice.” Hailed by critics as a “21st century Pagliacci,” her trademark Human Cartoon productions include her effusively reviewed one-woman show Show Ho as well as Wunderworld, The Supers, Cyclones and The Secret Life Of Custodians.
LEARN FROM THE BEST
STEVE SMITH: Human Cartoon Class
Director, Big Apple Circus; Former Dean, Ringling Clown College; Collaborator with Chuck Jones
JOEL BAKER: Circus Theatre
Cirque Du Soleil, Palazzo, ClownCon Alumnus
JOAN HOWARD & HANNAH GAFF: Physical Comedy
Clowns Without Borders, Medical Clown Project, Idiot String, Peripatetic Players, AcroSports
DOYLE OTT: Puppeteering & Body Awareness
Bay Area Children's Theatre, Children's Fairyland, Sonoma State Faculty, ClownCon Alumnus
JOHANNES MAGER: Musical Clowning
The Brass Band, Bracebridge Yosemite Theatre, Make*A*Circus, Horns-A-Plenty
NIKOLAS STRUBBE: Mime
Mixamo Motion Capture, Hut-Ho!, Dr. Kristov, Flying Actor Studio
COLIN JOHNSON: Film & Video
Celebrated San Francisco Indie theatre & film director, Awesome Theatre, Circus Center, DefClown5
BERNARD VASH: Voice For Clown
Founding company member American Conservatory Theatre, Flying Actor Studio
JUDY FINELLI: Juggling & Circus Skills
Former Artistic Director, Pickle Family Circus
DOMINIQUE JANDO: Master Classes in French Entrees
Co-Founder of the Festival Mondial du Cirque de Demain; Cirque Medrano; Vice President & Artistic Director, Lone Star Circus; celebrated circus historian and author
LETITIA BARTLETT: Master Class in Neutral Mask and More
Faculty, American Conservatory Theater
HILARY CHAPLAIN: Master Class
Founding Member, New York Goofs; The Tempest (Bway & Central Park); NYU Tisch Faculty
CLASSES & WORKSHOPS
Human Cartoon: The Art of Elastic
Performance Knockabout & Slapstick
Classic Entrees, Gags & Lazzis
Juggling & Object Manipulation
Overall Circus Skills
Acrobatics for The Clown
Precision Idiocy: Micro-Crafting Physical Comedy
History of Clowns: Stand-Up & Fall-Down
Inanimate Comedy: Props, Gadgets & Machines
Symphonic Clowning: Music & Physical Comedy
And More Surprises...
Humanities-based readings & video watch list, allowing Conservatory students to explore themes & ideas accompanying each project and class.
SCHEDULE & FEES
The Clown Conservatory is a 24-week program in 2 sessions.
First Session: September 11 – December 7, 2018
Tuesdays, Thursdays, Fridays from 9 AM to 4 PM + Studio hours.
Second Session: January 8 – April 1, 2019
Tuesdays, Thursdays, Fridays from 9 AM to 4 PM + Studio hours.
SHOWCASE PERFORMANCES AT THE END OF EACH TERM.
Tuition: $6,000 + Volunteer hours (some need-based scholarships available)
Applications accepted on a rolling basis.
HOW TO APPLY
Please submit the following:
Headshot (or current photo)
A 2-minute video of your funniest self, via link or DVD
Answer the "Proust Questionnaire"
- Financial Aid Application (if you would like to be considered for need-based aid)
- Work-Study Application (if you would like to be considered for work-study opportunities)
Application materials may be emailed to: email@example.com or by mail at
Circus Center | Clown Conservatory Applicant | 755 Frederick Street, San Francisco, CA 94117.
Applications are now being accepted on a rolling basis. Don't delay – apply today!
PRAISE FOR OUR DIRECTOR
“Quite truly one of the funniest, most ridiculously delicious humans I’ve ever encountered AND she is the hardest working clown in show business!”
– Merv Griffin, Entertainer, Game Show Creator & Entertainment Mogul
"Terrifyingly bright and verbal. Moore is a thoroughly post-modern mix of weird characters, funny voices, bizarre situations, a quirky theatrical synthesis of her idols, influences, and inspirations. Imagine Fanny Brice meets: Daffy Duck, Lucille Ball, Lily Tomlin, Laurie Anderson, Janis Joplin, Joni Mitchell, Carol Burnett, David Bowie, Lewis Carroll...”
– The Philadelphia Inquirer
“I have seen many of Sara Moore's solo performances, often going well out of my way to do so. It’s worth it. She is fearless and utterly engaging in performance, combining physical dexterity, blazing intelligence, vocal acrobatics and mind-boggling juxtapositions to create comedic alchemy. Her pieces have the irresistible combination of being both utterly unique and completely recognizable. She is unquestionably on a par with all the great clowns; I believe it is only a matter of a very short time before a great many people know this. “
- Michael Butler, Artistic Director of Center Rep at The Lesher center For The Arts
"Sara Moore is simply the greatest thing to have happened to me. She taught a clowning master class when I was 19 years old, and within those three hours she had given me the key to unlock the door to The Silly inside, and helped me train it and use it to the fullest. She has the wild passion and intense drive of a mad fisherman chasing a whale. She laughs from within the depths of her soul when you do something right, and she willingly and lovingly hands you wings when you are afraid to fly. Her truthful love for all things silly is inspiring, and her reckless abandon for creative expression is nothing short of threateningly astounding."
– Molly Kate Taylor, ClownCon 2017 Graduate
“Moore is the consummate performer, never lingering too long on tragedy or comedy to bore us, always entertaining us—even when we are crying. Comic Kung Fu is a pretty good analogy.”