2018 Winter Showcase Auditions on October 13

Circus Center wants YOU to audition for our annual all-school Winter Showcase, December 8 & 9! More info coming about theme and such (it'll be something holiday-related and family-friendly, as always), but for now:

 

AUDITIONS
Saturday, October 13
4:30-7:30 pm

 

IMPORTANT SHOW DATES

November 3 - rehearsal (late afternoon-evening)
November 18 - rehearsal (late afternoon-evening)
November 25 - rehearsal (afternoon-evening)
December 2 - Tech rehearsal (afternoon-evening)
December 8 - Dress rehearsal (evening)
December 9 - Call 1p, Dress rehearsal, Dinner break, Call 5p, show 7:30p
December 10 - Call noon, show 2p, all-hands strike after show

 

HOW TO SIGN UP 
Email auditions@circuscenter.org with information about your act (acro, aerial, etc.) and any technical or rigging needs for the audition.

 

WHO CAN AUDITION
Auditions are open to everyone, and everyone is encouraged to give it a shot! 

 

HOW TO AUDITION
Just sign up for a slot and show us what you've got! If you have an act, bring that; if you don't yet, bring as much as you have to show us. If you already have music, we want to hear it. If you have your costume or pieces of it, we'd love to see you perform in it! If you need equipment or rigging, let us know, we can usually provide it. If you can't make it to audition in person, you are invited to submit a video of your act (or act-in-development). Send it to auditions@circuscenter.org.

 

For questions, more information, or to sign up, email auditions@circuscenter.org.


I've often been asked for more advance notice about important events at Circus Center – the opening of class registration, auditions, shows, closures, etc. So, working with the Center's department heads, program directors, and administrators, I've compiled all of the key dates that I can think of into a single document. You can download it as a PDF by clicking on the title above (or the link below), and I've also pasted the information into the body of this blog post.

If you have questions or concerns, please get in touch with me, or send word through a member of the Student Services Team.

 

2018-19 Circus Center Key Dates

 

CLOSURES

September 3

October 17 (daytime closure only)

November 22-23

December 8-9

December 24 – January 1

April 21

May 27

July 4

 

TRAINING

Adult Recreational Program

  Fall 2018 Winter 2019 Spring 2019 Summer 2019 Fall 2019
Priority Registration for Full Session Enrollment July 31, 2018 November 13, 2018 February 26, 2019 N/A July 23, 2019
Drop-In Registration Opens August 13, 2018 November 26, 2018 March 11, 2019 May 13, 2019 August 5, 2019
Session Begins September 4, 2018 January 2, 2019 March 25, 2019 June 10, 2019 TBD
Session Ends December 23, 2018 March 24, 2019 June 9, 2019 September 1, 2019

TBD


Clown Conservatory

  • Fall Session: September 11 - December 7, 2018
  • Winter Session: January 8 - March 31, 2019

Contortion Intensive

January 6 - February 1, 2019 (Showcase on 2/1) 

 

Youth Pre-Professional Program

  • Fall Session: August 27* – December 14
         *Rising Stars start September 4
  • Winter/Spring Session: January 7 – May 24
  • Program Auditions: May 28-30
  • Advanced Camp: June 10 – August 16

Youth After-School Classes

  • Fall Session: September 4 – December 14
  • Winter Session: January 7 – March 15 (Priority Registration 11/12, Open Reg 11/19)
  • Spring Session: March 18 – May 24 (Priority Registration 2/18, Open Reg 2/25)

 

COMMUNITY EVENTS

 

Friday Night Flights

A new 21+ event featuring flying trapeze swings, beer & wine flights, performances and more

  • October 12
  • February 8
  • July 19

Fall Family Circus Fun

Bring the kids and explore the world of circus together

November 17

 

Summer Camp Open House

March 9

 

Youth Program Open House

May 5

 

SHOWS

 

Winter Showcase

  • Auditions: October 13, 2018
  • Rehearsals: November 3, November 18, November 25, December 2
  • Tech Rehearsal: December 7
  • Final Dress Rehearsal: December 8
  • Performances: December 8 at 7:30p, December 9 at 2p

Summer Showcase

  • Auditions: March 17
  • Rehearsals: April 7, June 2, June 9, June 15
  • Tech Rehearsal: June 16
  • Final Dress Rehearsal: June 20
  • Performances: June 21 & 22 at 7:30p

Cabaret (all shows at 8p, rehearsals on immediately preceding Thursday nights)

  • Let’s Misbehave: October 19-20
  • Booty Call: November 9-10
  • Parental Discretion Advised: January 25-26
  • All Shook Up: February 22-23
  • Ringmaster Disaster: March 22-23
  • Happy Ending: April 12-13

Clown Conservatory Fall Showcase

November 29-December 1

 

Clown Conservatory Spring Show

March 28-30 

 

SF Youth Circus Spring Show

May 3-11

 

Super Novas Spring Show

May 17-18

 

Rising Stars Recital

May 18

 

CAMP 

One-Day Camps

  • October 8 (Registration Opens 9/14)
  • November 12 (Registration Opens 9/14)
  • January 21 (Registration Opens 10/1)
  • February 18 (Registration Opens (10/1)

Winter Camp (Registration Opens 10/1)

  • December 26-28
  • January 2-4

Summer Camp (Registration Opens 12/10, Early Bird Discount Ends 1/31)

June 10 – August 23

 

OTHER STUFF

Cole Valley Fair: September 30

Hardly Strictly Bluegrass: October 5-7

Daylight Savings Time Ends: November 4

SantaCon: December 8

Chinese New Year Treasure Hunt: February 23

Daylight Savings Time Begins: March 10

420: April 20 (duh)

Bay to Breakers: May 19

SF Pride Weekend: June 28-30

Outside Lands: August 9-11

Burning Man: August 25 – September 2


Class Pack Sale Starts Monday, April 4/16

We're having a sale! Starting on Monday, April 16, stock up on 5- and 10-Packs and save: 

 

  Tier A Tier B Tier C
5-Pack $115 $105 $200 $180 $210 $190
10-Pack $220 $200 $350 $320 $350 $320


Like last year, we will not be offering session enrollment this summer, so this sale is your best opportunity to get the credits you need to continue your training over the summer. (We will not, however, be "buying back" unused credits at the end of the summer.)

 

Sale packs have the same expiration dates as usual (5-Packs = 3 months, 10-Packs = 6 months), and will not be eligible for extensions, refunds, or transfers.

 

Starts Monday Morning - On Sale through Sunday, April 22!


Spring 2018 Showcase: Call for Performers

This spring, Circus Center will produce a showcase featuring performances by our adult students. The showcase will be presented on Saturday, May 19 at 7:30 pm.

 

As in recent years, the showcase will be informal, but nicely produced: the space will have a full lighting and sound set-up, and performers are asked to put some effort into your costumes and makeup. A member of the Circus Center staff will serve as Emcee. We will design and print flyers, postcards, and programs, and we will do our usual promotional activities online and elsewhere.

 

Flying trapeze students will work with Mike Greenberg and the other flying instructors to put together the flying portion of the show. We will take 6-8 additional acts. Other students who are interested in performing in one of these slots should fill out this form (one form per act, not per performer). Our goal is to produce a well-balanced show (not too many performers on any single apparatus) with students who are ready to perform (based on what your Circus Center teachers tell us), and giving first priority to current Circus Center students who have not previously performed in a showcase here. So fill out this form as soon as possible, and no later than April 23.

 

Relevant dates and times for performers:

  • May 1: Performers must either submit a video of their act IN COSTUME or arrange a time to show it to Barry Kendall or Veronica Blair. Acts deemed unready for public performance at this time may be cut from the show.
  • May 13: Rehearsal. 5p Call, 6p Start
  • May 19: Tech Rehearsal and SHOW: 1p Call, 3p Tech Start. 5p Dinner Break, 7:30p Show Start

 

Questions? Email Barry at barry [AT] circuscenter [DOT] org. Want to apply? Fill out this form!


The State of the Clown | By Sara Moore

 

 

I am a clown.

I’ve shared the same trailer, the same dressing room, the same midway, with all manner of people who enhance the idiocy and paradox of their own bumbling humanity by turning themselves inside out and presenting themselves to an audience. I have performed with everyone from Carol Channing to “Freckles.” I have been on the bill with every type of performer from opera singers, stand-ups, storytellers, jazz singers, “bubbleologists”, psychics and eccentric dancers. I’ve also played Shakespeare’s clowns and stood in a circus ring and brought an audience of 10,000 to screams of laughter by doing nearly nothing. Hell, I’ve made people laugh on the damn A Train on the way to a gig in full clown geish. You learn early on with a career in show business that there’s a whole lot of education and empathy that grow as much from a junkyard as from Lincoln Center.  Be versatile. Be ready for any kind of job, anywhere, anytime, with all manner of misfit entertainers. All are welcome. Except magicians: they take up too much space in the dressing room and smell like Aqua Velva. Joking. But serious. 

 

Historically, most clowns have been men. As a woman I have had to work very, very hard to be seen as a funny being while also not being a particularly “pretty” woman, which seems to be the golden combination as defined by men: she’s funny AND a real looker! I never wanted to be pretty. Being genderqueer I’ve always been happy with my cute factor, riding the misfit streetcar of desire between the genders. Even though I’m confident that I’m funny, insightful, and dare I say innovative, when I approached The Big Apple Circus, I was told flat-out that they would never hire a woman clown. That I didn’t even make the first cut because, y’know, I simply wasn’t man enough. Truth is, they had hired  women clowns in the past – just coupled with men who were their husbands and partners. But this is what I was emphatically told: no women clowns.

 

And now, ladies and gentlemen, children of all ages: the newest addition to the #MeToo bunker is, heartbreakingly, a beloved Big Apple Circus clown. It is devastating and utterly unsurprising. These guys are absolutely everywhere, beneath and on top of every rock in every culture: toxic masculinity. Only this time, Don Draper is wearing a freaking clown nose and a bad frock. Insert multiple expletives! And just when I was really amping up about clowns not being scary…

 

For a long time, I haven’t known quite what to say about the fear of, and continuing sarcastic commentary about, and horror-movie imagery of clowns. Perhaps, I thought, it’s the word itself that no one likes since it’s so fully associated with Ronald McDonald and all manner of overly painted, mask-ish creatures that made little Emily cry her eyes out at the county fair. Maybe it’s the bad singing – or dinosaurs themselves – but I remember flinching when I first saw Barney. I also flinched and was repelled by all manner of costumed characters as a child.

 

But now I’m wondering if perhaps, just maybe, the very male-ness of clowning has been one of the main reasons why images of scary clowns have had such power in our culture.

 

Today, finally, we are at the birth of a new era. There is a vital new American Clowning emerging from the demise of Ringling Bros. and this historically mega-male art form, and it is fiercely female and based on the concept of the poet-in-action: more Lucy than Bozo. More Annie Fratellini, Diane Wasnak, Mooky Cornish. Don’t recognize these names? Google them. Fine, funny women all, and all cousins to Mr. Bean, Lee Evans, George Carl. Keep Googling! In many ways, the Clown transcends gender and bounces right into the realm of wonder and magical realism personified, a powerhouse prankster embodying all the mischief, mayhem and freedom of a human cartoon.

 

So, maybe now that our industry, like so many others, is facing its demons and becoming more inclusive and equitable, the image of clowns in the broader culture will change, too. I for one am working to help everyone see and absorb this new vision of what clowning is and can be: humanity exposed for all of our collective foolishness. It’s the fearless exposure and performance of being really human, in all its paradoxes. We are all beautiful, we are all ugly. We are all clumsy, we are all graceful. In many types of tribes throughout history, clowns are part of the healing community. When despair is crushing, kindness and humor become as vital as air. We bring medicine through laughter, joviality, silliness, and pure play. Yes, I’m just high-falutin enough to believe that clowns are part of the world’s solution, not its problem.

 

In this mixed-up culture, where every other person is considered a “reality star,” where gun orthodoxy outshines arts advocacy, and where even our most beloved cultural icons fall hard from grace, it is a miracle to find refuge in any kind of innocence. But a great clown can get us there, with the highest language of humor and pathos. Who better than the clown to bring us all together with what we already have, who can render the “everything all at once” of being human in high relief?

 

Send in the clowns? Don’t bother. They are in us all.

 

 

Sara Moore is a clown, actor, playwright, filmmaker, deviser & Director of The Clown Conservatory.